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Baroque II - Dark Red is the second generation of the Baroque family. Where the first edition sets its gilding on bright ivory, this one inverts the ground: a near-black burgundy covered edge to edge in damask, with every detail drawn in two warm golds.
The card opens on an ornate gilded Baroque picture frame holding the couple photo, wreathed in burgundy and cream peonies that spill past its edges. Below it the couple's names stand in a tall display serif, with an oversized handwritten ampersand fading behind them for depth.
There are no panels or colour blocks anywhere. Every section sits straight on the damask and is separated instead by a gold filigree rule centred on a burgundy peony. A pair of tall gold and burgundy sprays flanks the family block, four carved corner pieces hold the reception details, and the wedding date is set as one large numeral between two gilded filigree flourishes.
Everything a couple needs is included: details for both families, the invitation text, ceremony and reception blocks, a live countdown, a grid photo album, a month calendar with a heart on the wedding day, Google Maps, a dress code, a wedding-day timeline with camera, cake and table-setting medallions, a guestbook, and a matching gift box and envelope printed in the same florals.
With its Red and Gold palette the design keeps a Royal European bearing, warmed by hand-painted Floral artwork rather than plain metallics. If you want a classic dark-toned card that reads rich without being loud, this one fits. The same family also offers Baroque - Gold on bright ivory.
Baroque - Gold sets a gilded frame and Roman pillars on bright ivory. Baroque II - Dark Red inverts the ground to a near-black burgundy damask, swaps the pillars for a carved picture frame around the couple photo, and adds hand-painted burgundy peonies plus a wedding-day timeline with medallions.
No. All of the text is set in two warm golds on a near-black burgundy, which is very high contrast and stays crisp on any screen. The florals and filigree sit only in the margins and corners, never over the content.
The photo sits inside the gilded Baroque frame at the top of the card, in a portrait crop. You upload it in the editor and crop it to the opening; the gold frame and the flowers around it paint over the photo edges, so it always sits naturally.
Yes. This template ships its own gift box and envelope printed in the same burgundy and cream peonies as the card, rather than the generic drawn box. Guests tap it to see the transfer QR codes for both sides.
Yes. It supports English, Vietnamese, Traditional Chinese and many other languages. You can enable one or several at once; names, invitation text, schedule and guest wishes all display in the languages you choose.

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